From Writing To Directing To Producing

It's been over a year since my last post.  Shame on me. I've been literally swamped.

Without going into every project I've worked on, let me just say tomorrow, a children's television show that has been the desire of my heart to create is FINALLY being filmed!  I am executive producing and head writer of the show. I'm so excited. Tala Hobballah, Michael Haney, co-producers.

On top of that, I have cast some of the best kids in the region to be hosts. One of them, is sweet Noelia, a little one with Down's Syndrome.  I love being able to use the show as proof that kids with special needs can be viable to a production.  She is so excited and we are too!  What a cutie pie. I mean, look at her!

Isn't she precious???

I'll share more about the show once we have it filmed. :)  Let's just say it's pretty awesome!!!! 

I've also written another short film called The Alabaster Phoenix and stars my BFF and biz partner, Buffi Holland has the lead.  So very excited about that too!!!  Logline: A fragile widowed woman grapples with despair and loneliness by discovering her purpose in life.  Lots of locations, and I'm thrilled to possibly be using one of my favorite composers in the universe on this film. Films May 2014. Michael Haney, Dudley Jacobs, producing. 

I'm also producing a short film called PHASE 6. Phase 6 is about governmental population control via the use of flu shots.  It's a sci-fi thriller complete with CGI special effects, so I'm eager to see how this turns out and to work with Jeff Dolan, the director. :)  Starring Keagan Haney, Caleb Shore, Kim Kinsley, and Richard Chilton.  Films June 2014. 

Recently I completed filming a television pilot with the amazing Joe Carroll, writer and director. I earned a producer credit on this one. Can't share the name of the project... YET.  It's a superb concept and I hear it is gaining interest by various sources. As well it should. It's impeccably made and Joe has a keen eye for detail. Shot on the RED camera, the images are crisp, concise, and stunning to watch. 

AMAZING cast.  Photo by Michael Walters

I'm also producing a television show for The Children's Kindness Network called Moozie The Cow.   We have got a great music director, Sara Beck, and Executive Producer, Elandriel Lewis totally has a heart for kiddos.  Research consultants and casting the kiddos  are Colleen Russo, Emily Drossner and Christina Longo. I call them The Vandy Posse since they are all Vanderbilt minds. Ryan Rehnborg is animator. Starring Nina Borum and Caleb Shore.  Moozie the Cow is currently in production. 

So that's my irons in the fire at the moment. I have a few productions lined up to produce... Christopher Siaens "RAIN" is one of those projects. Tala Hobballah has a series she wants me to help her with, and of COURSE I will. Tala is amazing and I cannot say enough things about her and her awesomeness! 

Hopefully I will have a chance to be on here more! I hate such gaps in my entries. I will attempt to do better for you, my ever faithful fans!

Don't Call The Shots... Seriously.

Hello all!

Happy 2013!  Wow have I been busy! Whew!

First of all, let me give you an update. MADAME KOROVA was sucessfully filmed and is in the post production phase.  We all cannot WAIT to see this hit the festival circuit. It turned out to be so much fun to direct.

The talent agency that I own with my completely best friend in the whole wild world, Buffi Holland, has taken off at lightning speed and is flourishing.  You can check out S.T.A.R.S. Talent at HERE if you would like more information. Recently we have booked talent on CATCHING FIRE of yes, THE HUNGER GAMES fame and LAST VEGAS starring Robert Deniro, Kevin Kline, Michael Douglas, and Morgan Freeman.  I'm a proud mama, too... my daughter just got cast in a feature film herself! She starts filming in the fall in Indiana.

Because I've been so busy, I haven't had much chance to write (as you can see from the state of this humble blog!) HOWEVER, I thought I would swing by and offer you a useful screenwriting tip.

When you are writing a screenplay, never, NEVER, NEVER EVER EVER EVER write in or call the shots. I don't mean calling the shots as in deciding what's going on with your character, I mean, writing:

INT. MEDIUM SHOT - VICKI POURS FOOD INTO DOG BOWL

Don't do that.

"Why, ScreenwriterChic? Why should I not do that? How else are folks going to know what I want in this scene?"

Well, to put it bluntly, it ain't your baby anymore. And it's not your job to tell the director what to do.

Once your script has been handed over to a director, it's the director who adds vision to the story and makes it complete.  You have given the framework.  Don't be sad! Your idea may be cool and all, but it's really awesome to see a director come on board with a fresh set of eyes and incorporate their vision with yours. And think about this too... if you put in camera angles and look like a complete noob and an inexperienced dreamer, you will annoy your reader, which is the person you want on your side, believe me! The reader passes on your work of art to the studios.

Now, if you absolutely HAVE to get a certain shot across, there is a way to do it and look professional and NOT step all over the director's toesies.  OR annoy your power wielding reader.

That is in scene description.


EXT. MT. FUJI - DAY

A small speck in the snow, Jessica rummages through her pack.

No food. Disgusted, she throws the pack and SCREAMS.


Okay, did you see what happened here?  A small speck in the snow?  Did you see an aerial shot with that?  And when Jessica couldn't find any food and tosses the bag, you were closer up in your mind's eye, weren't you?

Your scene description frames the picture in the mind of your reader. It's the same as calling your camera angles, but it's a much more appropriate way to do it so you don't have an offended director. Or reader.

And that's what you want, isn't it?

Communication is KEY!

At the time I am writing this, it is 1:45am. Literally.

Why am I writing in the wee hours of the morning? I thought you would never ask, my faithful fan! I'll tell you.

The reason that I'm not resting is because I am supposed to work for a high profile client tomorrow.  They hired me for two days and told me they would send me a call sheet.  I have since emailed them three times requesting this call sheet. I was told that one would be sent to me tonight, hence I am still up waiting.

And this give me a perfect teaching moment for you.

COMMUNICATE WITH YOUR CREW!!!!

By the production coordinator not having his ducks in a row, I can already predict how tomorrow will be. And THAT'S if I ever find out what time I'm to arrive!

For those of you who don't know what a call sheet is, it's a document that tells you the address of where you are supposed to be, the TIME you're supposed to be there, numbers to call if you can't make it, and other pertinent information like, where to park.  I'm headed to a municipal auditorium.  Do I park in the audiorium's parking or do I need to park across the street?  There will be thousands of people at this.  What is the dress code? Some companies don't care and merely state: dress comfortably, jeans okay, no open toed shoes.  Some require all black. Which is it for these guys? Who knows!!!

When you run a production, you are the leader.  Everyone looks to you. You may not realize that at the time, but it's true.   You need to have things handled, like, call sheets.  If you are too busy to do it, you know what? There are assistants that are great at it.  Don't mistreat your crew by keeping them in the dark.  And for goodness sake, DON'T lie to your crew!  I got an email stating that I would have my call sheet "tonight".  Well, it's tomorrow, and I'm losing sleep waiting on a call sheet that may or may not come.  And if they call me and my call time is 3am I will seriously be ticked off!

If you are feeling overwhelmed, the best thing you can do, is ask for help. Don't drag people through the mud because you feel it's your baby.  Maybe it is! But do you want a happy crew, or a confused, grumbling crew because now folks don't think you know what you're doing? 

Communication.   It's the key to happiness and a smooth running production.