Prepare Your Actors

I'm directing a short film, and so far it's going really well.

We've been in preproduction for months. Lots of moving parts, you know. Locations. Equipment. Lights. PAs. Craft services. Getting this movie SAG endorsed.

Being the director I have a unique insight into the characters... I know exactly what I'm looking for from my characters. I should. I wrote the film.

To prepare my actors, I gave them each a packet.  My film has three main characters, so each packet was tailored specifically for each of them. For my lead actress, I compiled data with unfavorable outcomes to help get her in a darker "zone" if you will.

My lead actor received a packet with statistics and data. His character is a thinker and a doer, and would know stats about the issue that is plaguing him.

For my supporting actress, I gave her a manual from a local police department on how to solve the crime the movie focuses on. On top of that, I sent her a two page back story on her character.

A few months before the shoot, we had a read through.  ALWAYS have a read through of your script. You'll hear what works and what doesn't. Dialogue is tricky, and believe me, in a film, if it's not organic, people will mock you for it. With the read through, I made some minor adjustments, and we were good to go.

On the shoot, while the crew set up the shots, I was able to sit with the main actors and go over their packets.The actors did a marvelous job of grasping their characters and bringing them to life. They asked questions; great questions; hard questions. I was able to gently direct them where the characters needed to be. Everything went wonderfully:  after a few takes, the roles "set in" and rather than watching actors, we were witnessing a couple going through intense pressure and merely capturing it. When you turn around and see the men on the crew in tears, you know you have something magical going on.

I'm not sharing this to brag. I'm sharing this to encourage you. Get a great Assistant Director.  Let him/her run your set so you can spend time with your actors.  The more time you cultivate with your actors, the more trust is established, and the better the performance you can draw out of them. Note, I say "draw out" not 'beat out'.

A lot of things will make or break your film. The writing. The sound. The acting. So do your best to create a safe haven for your actors.  It can only improve your film.  ~SC

Photo Credit: Erin Moore

Prepare Yourself

Making a film look easy, doesn't it? Effortless, even?  You think to yourself, "Oh, I have a story. I just need a camera and some actors."

And then you try to make it.

Your actors aren't real actors, probably your friends, right? And they flake out on your and don't make it on days your shooting... suddenly you realize you have to get the same scene from different angles... how will you ever actually show an explosion? When you finally get to look at your scenes, holy crud monkeys. The sound sucks.

And so it goes.

Am I saying NOT to try? Absolutely not! I think if you have a story inside you, you need to set it free.

If you want to make a film that will really capture attention, mark my words: surround yourself with people smarter than yourself.

You're only as good as your team. And if your team consists of a best friend who runs down the batteries videoing girls on the beach instead of your intense monologue in the Sahara, well, he shouldn't be part of the team.

Start small.

By small, I mean a short film. It's a lot easier to navigate, fail, rebuild and refilm a short film than it is a feature.

Learn to write a script. My GOD PLEASE LEARN HOW TO WRITE A SCRIPT. I can't tell you how many times I've had people give me their works of art and it's not formatted correctly, or slug lines are naked, or it's in the wrong font.  Read Blake Snyder's book SAVE THE CAT and William Akers book: YOU'RE SCREENPLAY SUCKS! for help.  Both of them are gold. Oh if people would read them more.

Find a local film group in your area. Today, the internet makes everything so much easier.  You can find Meetups or local colleges with film schools.

Listen.

LISTEN to your team. I've worked with outstanding people with a wealth of knowledge, but the director wouldn't listen to them. So, what could have been a kick ass movie became a ho hum sleeper.

Movie making is a tedious task. It takes a lot of preparation. And by a lot, I mean months of planning before you even have your first shots. But it's in these months where you iron out all the bumps.  It's in the prep that you get to know your team, too, and how they flow.  Who's the weakest link.  Who is the worker bee.  Who's the one with the connections.  Where the problems are.

If you can troubleshoot BEFORE you shoot, it makes all the difference in the world. Your shoot goes a lot smoother, and before long, you look like you know what you're doing. :)

So please. For your sake, and the sake of your crew and actors: prepare.

Everyone will thank you. And pretty soon, you'll be making the walk down that red carpet.

A LETTER TO WELL MEANING PEOPLE

Dear Well Meaning Person Who Wants Help With Your Project:

I appreciate you thinking highly of me enough to come to me for help.  I sincerely do. I've worked very hard to get to the place where people can come to me with questions.  It proves to myself that what I've done in the past hasn't been in vain... the long hours, stormy nights, shots in the mugginess and freezing cold, they actually did propel me into becoming the professional I am today.

And while I am friendly, and while I am nice, whether you understand this or not: I cannot work for free.

I work. HARD for a project.  I give up time with my family. I give up time to work on my own creative projects. I literally bust my butt to ensure I give 110% on your work of art. I sweat. I bleed. I cry. Over each project I'm over.

I've been asked to critique scripts for free, to provide crew, to write, to produce, to direct...

And for that, I need to be compensated. Not only me, but ALL filmmakers.

Our dedication and love of what we do, has made it easy to exploit us. We need to eat. We need to provide for our families.

Don't you?

So, the next time you approach anyone to work on your awesome project, consider offering them compensation.

We're worth it.  ~SC


A Good Article On Why Writers Should Be Compensated Too

From Writing To Directing To Producing

It's been over a year since my last post.  Shame on me. I've been literally swamped.

Without going into every project I've worked on, let me just say tomorrow, a children's television show that has been the desire of my heart to create is FINALLY being filmed!  I am executive producing and head writer of the show. I'm so excited. Tala Hobballah, Michael Haney, co-producers.

On top of that, I have cast some of the best kids in the region to be hosts. One of them, is sweet Noelia, a little one with Down's Syndrome.  I love being able to use the show as proof that kids with special needs can be viable to a production.  She is so excited and we are too!  What a cutie pie. I mean, look at her!

Isn't she precious???

I'll share more about the show once we have it filmed. :)  Let's just say it's pretty awesome!!!! 

I've also written another short film called The Alabaster Phoenix and stars my BFF and biz partner, Buffi Holland has the lead.  So very excited about that too!!!  Logline: A fragile widowed woman grapples with despair and loneliness by discovering her purpose in life.  Lots of locations, and I'm thrilled to possibly be using one of my favorite composers in the universe on this film. Films May 2014. Michael Haney, Dudley Jacobs, producing. 

I'm also producing a short film called PHASE 6. Phase 6 is about governmental population control via the use of flu shots.  It's a sci-fi thriller complete with CGI special effects, so I'm eager to see how this turns out and to work with Jeff Dolan, the director. :)  Starring Keagan Haney, Caleb Shore, Kim Kinsley, and Richard Chilton.  Films June 2014. 

Recently I completed filming a television pilot with the amazing Joe Carroll, writer and director. I earned a producer credit on this one. Can't share the name of the project... YET.  It's a superb concept and I hear it is gaining interest by various sources. As well it should. It's impeccably made and Joe has a keen eye for detail. Shot on the RED camera, the images are crisp, concise, and stunning to watch. 

AMAZING cast.  Photo by Michael Walters

I'm also producing a television show for The Children's Kindness Network called Moozie The Cow.   We have got a great music director, Sara Beck, and Executive Producer, Elandriel Lewis totally has a heart for kiddos.  Research consultants and casting the kiddos  are Colleen Russo, Emily Drossner and Christina Longo. I call them The Vandy Posse since they are all Vanderbilt minds. Ryan Rehnborg is animator. Starring Nina Borum and Caleb Shore.  Moozie the Cow is currently in production. 

So that's my irons in the fire at the moment. I have a few productions lined up to produce... Christopher Siaens "RAIN" is one of those projects. Tala Hobballah has a series she wants me to help her with, and of COURSE I will. Tala is amazing and I cannot say enough things about her and her awesomeness! 

Hopefully I will have a chance to be on here more! I hate such gaps in my entries. I will attempt to do better for you, my ever faithful fans!

Update on Madame Korova!

Madame Korova  preparation is on way!

We have just opened our kick starter campaign to help offset the budget of this film. Would you please consider helping fund our project?  It's a great film!

Click here: Madame Korova

Thanks in advance for all your support!

Best,

Marti

The Screenwriter Think Tank Session of Brilliance

Some of the best advice I was ever given was by Will Akers.

He told me, "You're a good writer. Now start making short films. Learn every aspect. That way, you'll always have work."

I am passing that on to you today, dearest reader.   He was absolutely right!


Now, on to screenwriting stuff.

Last week I held my first ever SCREENWRITER THINK TANK OF BRILLIANCE.

It was truly one of the most outstanding times I have had as a writer. Here's the back story:

I am working on a supernatural thriller script.  I had a vague outline of who and what would go on with the story, but I was stuck. I didn't know how to raise the stakes for our hero. I didn't know what occupation my villian should have.  I have a decent concept for a script, but this was driving me nuts. 

So I called the meeting.

I invited a group of friends.  All were from different backgrounds.  Since my story is about a hero paramedic, I had a paramedic there. I read them the outline from my script, and then for two hours picked their brains.  What a great time!

Folks had AMAZING insight. When all was said and done, I had a full fledged outline, and will get this written probably in a couple of weeks before I start the rewriting process.

The point is, DON'T keep your story to yourself. Pitch it to folks.  See if they'd be interested. I pitched the CONCEPT of this script for about two years to folks.  I would say, "Hey, would you see this movie if this happened?" 

With a group of folks who are from different backgrounds, you will be amazed at some of the ideas that will pop up.  Brilliance!  Even my 14 year old daughter contributed, and I am using her idea.

Now, don't get folks who won't speak the truth. If something doesn't make sense, you want to know BEFORE  you start fleshing it out.  Sometimes people will be 'nice' and not 'honest'.  Honesty is what you want. 'Nice' just wastes your time.

So, if you're ever stuck on writing, hold a meeting and pick brains!  We had a great time and got TONS accomplished!

Communication is KEY!

At the time I am writing this, it is 1:45am. Literally.

Why am I writing in the wee hours of the morning? I thought you would never ask, my faithful fan! I'll tell you.

The reason that I'm not resting is because I am supposed to work for a high profile client tomorrow.  They hired me for two days and told me they would send me a call sheet.  I have since emailed them three times requesting this call sheet. I was told that one would be sent to me tonight, hence I am still up waiting.

And this give me a perfect teaching moment for you.

COMMUNICATE WITH YOUR CREW!!!!

By the production coordinator not having his ducks in a row, I can already predict how tomorrow will be. And THAT'S if I ever find out what time I'm to arrive!

For those of you who don't know what a call sheet is, it's a document that tells you the address of where you are supposed to be, the TIME you're supposed to be there, numbers to call if you can't make it, and other pertinent information like, where to park.  I'm headed to a municipal auditorium.  Do I park in the audiorium's parking or do I need to park across the street?  There will be thousands of people at this.  What is the dress code? Some companies don't care and merely state: dress comfortably, jeans okay, no open toed shoes.  Some require all black. Which is it for these guys? Who knows!!!

When you run a production, you are the leader.  Everyone looks to you. You may not realize that at the time, but it's true.   You need to have things handled, like, call sheets.  If you are too busy to do it, you know what? There are assistants that are great at it.  Don't mistreat your crew by keeping them in the dark.  And for goodness sake, DON'T lie to your crew!  I got an email stating that I would have my call sheet "tonight".  Well, it's tomorrow, and I'm losing sleep waiting on a call sheet that may or may not come.  And if they call me and my call time is 3am I will seriously be ticked off!

If you are feeling overwhelmed, the best thing you can do, is ask for help. Don't drag people through the mud because you feel it's your baby.  Maybe it is! But do you want a happy crew, or a confused, grumbling crew because now folks don't think you know what you're doing? 

Communication.   It's the key to happiness and a smooth running production.

Back in Business!

Hello Faithful Fans!

I have gotten back from Los Angeles and had a wonderful time.  For those of you who are facebook friends, you have the skinny on the trip.  For the rest of you, feel free to look me up!

On another note, I am officially the producer of WELCOME TO WAFFLE HOUSE, the next summer blockbuster.  I'm really excited to venture off into producing now... such an unknown world to me.  However, I have great contacts in "the biz" and they are hooking me up with outstanding mentors... one of whom I hope to add as an associate producer on the movie.

I'm truly excited about this new chapter and the writers are great guys.

On top of that, I have also been tapped to produce some short films for a local filmmaker in Nashville, Robby Coles.  His newest project, THE GREY AREA, is a short film regarding bullying and he is working on getting it submitted to every school in America.   You can go to my facebook page and see where Robby has a kickstart page for funding.

If you would like to help me raise funds for WELCOME TO WAFFLE HOUSE,  please feel free to donate at:

WELCOME TO WAFFLE HOUSE

Please know that I appreciate any and all donations to help get this movie into theaters.  If you donate, I promise you will have a special thanks noted in the credits.

Great Writing

When you read great writing, you know it. It sticks with you.

In film, the image that sticks with you is a result of words on a written page. You don't think that way... you usually give the director most of the credit for being so brilliant, but it's the writer that has captured your heart. The director was the vessel that caught his vision and brought it forth on a screen so you could see the writer's imagination.  Believe it or not, some directors just can't write.  I will not name names. :)

A dear friend of mine brought a commercial to my attention. I wanted to link it here so you can see what I mean about great writing.

Try and guess what is being sold in this commercial.  I tried. I bet you will never get it until the reveal.

It's an amazing commercial and was executed masterfully.  This is one of my favorite all time works. 

Warning... it looks pretty creepy.. just hang on until the end and you will understand why this commercial is such genius.

http://vimeo.com/moogaloop.swf?clip_id=22984504&server=vimeo.com&show_title=0&show_byline=0&show_portrait=0&color=00adef&fullscreen=1&autoplay=1&loop=0


Let me know what you think of it.

~SC

PS For the next 2 weeks, I will in Los Angeles following mine and my daughter's dreams,  plus doing lots of touristy stuff.  I'll try to keep you  updated.

No Rest For Me!

I feel like I need to keep you, my most loyal fans, updated with what is going on with me!


First of all, THE HABITUAL LIAR, the screenplay that I adapted and directed came out extremely well. I learned a lot on this shoot. Like, don’t let anyone upload your favorite footage because it could become corrupted and you might not ever see it again. Or, your sound guy needs to be extremely aware that the mics take the rectangle batteries and not AA’s. Ugh!

Here is the finished result:


The Habitual Liar from Atomic Jello Productions on Vimeo.


The production starts Leslie Li Voorheis, Emily Byrd, Danielle Ivery, Keagan Haney, Lucy Turner, Stephen Cornwall, and Kim Kinsley. They are all very talented and I was priveledged to have them for my cast. I can't say enough about each of them.

For the month of February, I have been made the Assistant Director of a short film written by Hillary Schoelzel and Will Akers, with Will directing.

As they further along their story by rewriting drafts, I throw in my two cents. Sometimes they take it, sometimes they don’t. I’ve been working as a bit of a person of all trades on this one.

I location scouted a couple of days ago. An extremely nice couple allowed me to take pictures inside of their home and were willing to allow us to shoot anytime we needed. Is it the right set? Not sure. Director’s call.

I’m extremely busy! So, if you don’t hear from me in March, know that I am living the dream… not sleeping and working my butt of for some street credit! I have NOT forgotten you all! :)

Work For What You Want!!

The movie industry is a monster.

It will eat you up, spit you out, and never look back.  So, to get what you want, you have to fight for it.  The best example I can give you at the moment is this story:

http://www.tennessean.com/article/20110118/WILLIAMSON0702/101180302/Take-a-Bow-Budding-actress-eager-to-work-for-her-ride-to-stardom

This little girl has a once in a chance opportunity and do you think she's relying on anyone else to get her to Tinsel Town?  No! She has totally taken life by the horns and is captain of her own destiny.  (I can say this with my pride in my font because this little girl happens to be my daughter!)

Our family has obstacles, whose doesn't?  But for my daughter, Keagan, the word NO is not an option.  She believes. She fights. She wills.  She overcomes. 

We all need that tenacity in life, no matter if you're a screenwriter, a gaffer, a pediatrician or an electrician! 

Do you have a story?  Write it!  Take criticism constructively!  Make notes, changes and whatever it takes to get your work read! And then... like my little girl....

DON'T GIVE UP!!!!

2011: A Call To Arms!

Ahhhh… My first post of the new year.

What will 2011 bring?

More writing, more ideas.

I read over the weekend that this summer will be known as the SUMMER OF SEQUELS. Movies that will fill slots on movie marquees for 2011:

Pirates of the Caribbean 4

Harry Potter (I’ve lost count on these)

The Hangover 2

Mission Impossible 4

Final Destination 5

Cars 2

Scream 4

Transformers 3

Spy Kids 4

Kung Fu Panda 2

Fast Five (the latest segment in the Fast and the Furious franchise)


Some of these may be good, and some may be a colossal failure, but one thing jumps out at me just from looking at this list.

Hollywood needs originality. A new story. A new idea. Next summer we’ll have another Superman, Spiderman and Batman movie.

There are plenty of great writers out there, you included!

Let’s all sit down, write a kickin’ story and show Hollywood how to make money off of a story that’s fresh, new, and innovative instead of beating dead horses until they’re well, more dead. Did you know they are making another installment in the SHREK series? Yep! Now it’s just about Puss ‘N’ Boots.

THE MATRIX took Hollywood by storm. New, thought provoking and it broke boundaries. I adore this movie. Even though the trilogy is over and done with, I still watch and am amazed at it. What inventive minds to create such a story!!

I’m sick and tired of paying $10 to see a sequel that 1.) Either never should have been made or 2.) Should have been a made for TV movie. Granted, these sequels have better budgets than made for TV movies!

Where are the writers? Where are the great ideas? YOU have them! I have them!

So, let’s sit down and write it out… let’s make time to get those rewrites done and share our scripts! We have great ideas!

Anything is better than a life dominated by sequels, isn’t it?

In conclusion, my first blog of the year is a call to arms. For all great writers to create that script of their dreams. For in the months ahead to bombard Hollywood with new ideas and not take no for an answer.
So, write, write, write! It's in your hands!

Make Some Short Films!!!

If you are a screenwriter, then you should be filming some short films.

Will Akers told me to start filming short films after I had completed his exciting and always entertaining screenwriting class. He told me it would make me a better writer to understand what a camera can or can't do, and what a director will have to put up with some of the crazy shots I saw in my head.

I heeded his magnificent wisdom and here I sit. A blogger, screenwriter and director of another short film that we will be filming in one week. I have a full crew, a full cast, and a full plate.  I'm learning more in one semester than I have in my life. Besides writing, of course. :)

Something that will help as well... HELPING out a crew member on someone else's film. That will teach you a lot too.

A while back I blogged on MUSICA CAMPESINA, a movie I worked on with Chilean director Alberto Fuguet. I started off as a P.A. and then got promoted to Line Producer. How?  I just did what everyone else didn't. I got noticed and have gotten street credit that I'm a hard worker.  Not to mention that the film has been submitted to Sundance and should it get in will be AWESOME to have producer credit on my resume!

See the trailer here:
MUSICA CAMPESINA TRAILER

You don't have to stay in one arena if you're a writer. Get out there! Meet folks! Just in my short time on campus, I've met and worked with people who are now in LA.  So, they are CONTACTS that I have now. Contacts that I can send a script to. Contacts that, should I ever move to the coast, could help me get jobs. Contacts who can help me make independent films of scripts that I wrote.

How could I have met them if I stayed inside writing ALL the time and never made a movie?

Are you afraid of what people will think? Don't be. YOU are the artist. The writer. The director.  It's YOUR dream.

Are you going to let someone else determine if you reach it or not???

Not me.

Use Your Gift!

Writing is a craft.

Some say a skill. I think that's a little obtuse. Skill means it can be learned.  Craft means it can be felt and expressed. At least to me that is.

Writing is a gift.

Some of us have it, and some of us... don't.

I received a script yesterday from a very talented and I believe gifted writer. She asked me to peruse it and tell her what I thought.  And I did.

I don't lie. What good am I to you if I don't tell you the truth about your writing?

Luckily, "Heinzy" is a great writer, with fresh ideas.  Her script was easy to read and well thought out. She had a compelling and thought provoking story. And I loved it.

A couple of things were "off" like changing from present to past tenses (writers always have to be on their toes for that), and using the word IS. 

If you see the word IS in your script (not during dialogue of course) then it is probably followed by a verb ending in ING, which makes your story have passive voice.  Agents, producers, readers, etc., HATE passive voice.  However, I personally, overlooked that for the sheer intelligence and brilliant story line she had woven.

So, way to go, Heinzy!  You have a great talent, wonderful ideas, and I can't wait to see your stuff get made!

Now for the rest of you...

What are YOU doing to chase down your dreams?

ALIENS! UFO'S! OH MY!

I'm not sure if anyone has been following this on the news about the recent documented sightings of the UFO's that have been seen in the U.S., China, etc. All of the sightings are similar.

News report on recent sighting in El Paso, TX

Now, when it comes to this, I'm such a skeptic. I held out for YEARS about crop circles and wouldn't you know it, someone came forward and admitted they did it. And they showed how. I don't know if they were telling the truth. I'm just saying I'm a skeptic.

But with this, I'm a little enamoured. Not because of the possibility of life outside of Earth, or the possible answer to a Bible prophecy. And then there's that part of me, deep down that secretly hopes if they ARE aliens, they don't REALLY do anal probes.

I'm interested to see what movies come out of this.

You know it'll happen. Writers everywhere are watching these stories, talking with people in the area of the sightings, and making notes.  And it'll hit theaters before 2012 to ensure we have mass panic and cult suicides.

So, while part of me is thinking this is an Orsen Welles' thing (it's rather profound to have it all over the world), part of me is thinking, "Man, who's gonna write the story first?"

Will it be you?

Adaptation... A Moment In Time

When working on an adaptation, you will have to prepare yourselves that the story will change.


It’s inevitable.

Remember the story of Pinnochio? Jiminy Cricket and all that real boy stuff? Well, in the true story, Pinnochio KILLS the cricket! And on purpose, too! It wasn’t during a cheerful musical moment. Now ask yourself why Walt Disney didn’t put that in his now classic animated movie?

I’m currently writing and rewriting an adaptation from a short story with some students. It’s the longest short story I’ve heard of, and has several stories within the story. How can we get all of that into ten pages for a ten minute short?

We can’t.

We must ADAPT.

We read the story and saw that the main strain, the main truth through the story was that our hero was a habitual liar. Bam! Now our story is about a habitual liar. From here, we pick our favorite scenes and push the story forward. We lose the fact that the hero has an uncle with Down’s Syndrome. Did it move the story forward? No. Cut it. Did it matter that her false boyfriend went to Dartmouth? No. Cut it.

An adaptation is different than a creation of a script. It’s like you have a puzzle box full random of pieces. Some of them fit and some don’t and it’s up to you to figure it all out to make a picture people can see.

And when adapting a SHORT film (as we are):

It’s all about a moment.

Once you find the truth of the story, focus on the one moment that moves you. That’s all you have time to show. One moment.

And that is a FAR cry from an entire story, isn’t it?

Drama is Action

Thanks to you, my wonderful readers, for your patience as I grieved (and still do so) the passing of my sister, Tracey. If I know Tracey at all, she’d be severely upset with me for not posting another blog entry sooner, and about screenwriting. SO! Here you go!


I read in a fantabulous book called “Essentials of Screenwriting” by Richard Walter that “drama is action.”

“Well, duh!” you say. But let me ask you. How many times have you seen a bunch of characters sitting around talking about nothing that advances your movie plot? It’s the lull in the movie where folks go to the bathroom and get more popcorn. Or worse.

If you have a script with that kind of scene in it, cut it out NOW. If you’re going to have a scene with people gabbing, it better darn well advance your plot. You can’t be precious about your script. By that I mean, if you write a kickin’ dialogue that you love; it really doesn’t help your plot but you still keep it in there. Why? Because you like it.

It’s not what you like that will sell your screenplay.

Your plot must always be moving, always be pushing ahead. By doing so, your reader will gladly follow and that is exactly what you want.

Again from the book mentioned above, the author states (and quite accurately):

“Screenwriters are required, therefore, to determine for each scene the action that most effectively advances the story and expands the characters and also to craft the ideal setting for that action.”

As a screenwriter, we can’t hope the reader will ‘understand’ what we’re hoping to convey. We must show them. Readers don’t have time to try and decipher. That’s what the grand round circular file is for, and I really don’t think that was the action, the drama, you wanted for your script, now was it?

Reversal Rollercoaster Ride!

Ever seen a movie and thought: This is SOOOOOOOOOOO mundane? You can tell where every scene heads and you can predict the outcome? Can we say BORING?!?!? I hate movies like that! UGH!


The screenwriter probably is very good at what he does. The problem is REVERSAL.

A reversal is that part of the scene where you go, “Oh my GOD! I never saw that coming!”

A great reversal is in THE DEPARTED. Leonardo Di Caprio’s character has worked and worked on nailing the bad guy, Matt Damon. He finally has him in his control and they’re on an elevator. When the elevator door opens, BAM! Leo’s shot in the head! I don’t know about you, but I NEVER could have predicted that! And I love the movie for that. It completely changed the tone of the movie! And, if that wasn’t enough…here comes another reversal…Matt Damon’s friend is the one that saved him. Matt thanks him and BAM! He shoots his friend! If you haven’t seen the movie, it’s highly recommended. By little ol’ me.

Reversals add a depth to your script. It shows you aren’t contained in a pretty little box and you actually think outside it. You have innovative, new, and unique ideas.

Have you ever seen Shutter Island? Another FANTASTIC example of reversal…all the way to the very last scene. Amazing! And one of my favorite movies of all time, now.

Look at it this way: the more twists on a rollercoaster, the better the ride, right? Same thing here. Your audience, your reader, has committed to spend time on your “ride”. Give them the twists, turns, and drops that make a ride so great! Make it worth their while! Because…

…if the reader loves the ride, your chances are much better for your script to find its way into the hands who can hook up with your vision, see the movie posters, the taglines, the merchandise, and hot dog! You’re off and running!

Reversals. Your script needs them. It’s what separates a good script from a great one.

Update On FIRST DATE & life in general. It's Good.

Swinging by to let you, my faithful followers, that I am doing well!

As you know, I’m shooting another short film that I’ve written, this time NOT in a twenty four hour period on severe lack of sleep. I think I’ve determined that I’m a time Nazi. I finished three days of shooting in ONE day, which gives me TONS of room for reshoots if I don’t like what I see in the editing suite.

Yes, once again, my kiddos are my guinea pigs, but they are doing quite nicely and giving authentic performances. Plus, they are having fun. Isn’t that what it’s all about? They enjoy helping me on my projects. I enjoy the family time. For me, it’s a win win situation. I’ll keep you updated!

On another note, during my one day of shooting, I took a four hour break to attend the Nashville Screenwriter’s Conference (thanks to my friend Jill and her phone call reminding me)! I am SO glad that I did!

I heard some great words of wisdom from Jeff Lowell (Hotel for Dogs, show runner for Spin City): “In television, you should write so you can be doing the dishes and HEAR everything and know EXACTLY what’s going on. In movies, you should be able to be on a plane, not purchase the earphones and SEE it and know exactly what’s going on.”

That is SO true! I’ve never thought of it that way, but now, I’ll never forget.

The highlight for me, however, was getting to finally meet Derek Haas. Remember him? He wrote WANTED, THE FAST AND THE FURIOUS 2, 3:10 TO YUMA, to name a few. (He also wrote CATCH THAT KID which my youngest loves). For those of you who don’t know the story, my screenwriting class had a conference call with him last fall. From there, I found him on Facebook and we became friends. We banter back and forth and I teased him about coming to Nashville and told him that I’d bring him a cupcake. His response was that it had to be cinnamon, his favorite spice. That was six months ago.

So there I am, sitting with Jill, watching the end of a panel. Everyone leaves and there is Derek in the back of the room chatting with someone. He heads to the main chair and I call to him, introduce myself which receives a hearty reaction and I offer him the cupcakes. He gleefully takes them and is floored to discover that they’re cinnamon. I beam with pride at my accomplishment. I’ve made his day. Everyone around me (other than Jill) scoffs, believing this to be a putrid attempt at bribery.

I don’t care.

I’ve met someone whose writing I esteem highly, whom I consider a "real" friend now. We’ll continue to banter on Facebook.

And, when all is said and done, whose name do YOU think he remembered from the conference?

Marti, Derek, & Jill

Be Prepared For Anything!

This Friday I begin shooting another short film. A real one, not shot and edited within 24 hours for a competition.

What have I gotten myself into????

Every weekend in June I will be consumed in this new project. So if you don't hear from me for a while, I have not abandoned you, precious fans... I'm merely exhausted and probably collapsed in a puddle of my own drool as my body tries to recover from stress and lack of sleep.

Ah, stress. That brings me to my the point of this blog... be prepared for anything!

This project has been rolling around in my pea brain for a good many months and thanks to the graciousness of the powers that be, all equipment is on loan without a penny paid. Yeah! I have a shooting schedule prepared and a list of things for my Production Assistant. Who bailed.

It wasn't her fault, there were a lot of factors involved and family goings ons that caused her to cease her service to me. It was her family also, who was graciously allowing me to film in their wonderful home. It was her mom who was going to a role in the film. In fact, I had rewritten the script so her little sister could be in it too! So my PA bails and guess what?

No house, no actress, no little sister actress,  no Production Assistant. 

Sigh.

In a screenplay, this would be known as the "All Is Lost Moment".

(pause)

And then, the hero finds the strength to go and gives an award winning speech:

Shall I be discouraged at this HUGE GINORMOUS mountain in my way? Heck NO! Mountains are made to be climbed!

I shall press on... the shooting will go as scheduled. I have a Production Coordinator, Michael. He is chomping at the bit to show his worth. My advice to him? Snag a Production Assistant and get ready! I have never micro managed, so I'm leaving it to him to find the actress and site.

I'm revising the script as I go. Welcome to filming. If you think you're done when you type Fade Out, or when your agent says he'll shop it, or when the producer says he loves it, or when the studio buys it, you're wrong. There's always a rewrite dangling just a breath away!

Be prepared and don't melt. You're being watched at all times.

If I freak out over a short film, what will I do if I'm directing something huge in Hollywood? (Which I WILL do one day, mark my words).


Every day is an adventure. Be prepared! Roll with it. Put out fires. Solve problems. LIVE!!!

Later sweet fans! One more pic for ya...